Episode 124

full
Published on:

22nd May 2026

124. Raven Crown Chapters 43, 44 and 45

A murdered guardian. A stolen sapphire. A raven with opinions.

Brie must gather the Jewels of Tambor—learning courage, cunning, and a strength she never knew she possessed—all while braving a twisted foot, a lack of trust, and impossible odds. Meanwhile, Dogmar, known as Jackal, will do anything to claim the throne—until a stolen jewel begins to unravel everything she believes about strength and survival.

Transcript
ghia:

Chapter 43.

2

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Brie Wunk.

3

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Zeus Thunk Thunk Wunk.

4

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Zeus Thunk.

5

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Thunk.

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Oh my head.

7

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I put my hand up and

feel a trickle of blood.

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Wunk Zeus.

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Thunk Thunk.

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What's that sound?

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I rolled to my side?

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I remember falling through a door.

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Wunk.

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Zeus.

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Thunk thunk.

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It's dark and I can't see a thing.

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Woo.

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Chunk.

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Zeus thunk.

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Thunk.

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That sound.

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It's familiar.

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I push into a seated position, Mart's

staff scraping on the wall behind me.

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There's a pause in the noise.

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who is it?

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A woman's horse voice asks From

the darkness, the sound resumes.

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Who chunk Zeus thunk Thunk.

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I don't say anything.

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I know you're there.

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The voice says, I'm not stupid.

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Where am I?

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I finally ask.

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open the shutters.

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Wunk Zeus thunk thunk.

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It takes me a second to gather

the woman's meaning and get up.

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When I do, my head spins and

I'm forced to study myself by

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placing a hand to the wall.

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Now on my feet, I can see a

sliver of light, not far away

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with the wall for reference.

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I walk towards it.

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There I swing open a heavy wooden shutter.

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The light is brilliant after the darkness,

and it takes a moment to see anything.

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When my vision returns, I

press my back against the wall.

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I'm in a small space,

completely filled with a loom.

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A mat and a blanket are in one corner,

a squat chamber, pot in the other.

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Nothing else will fit a figure

sits hunched on a bench.

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Her hands don't stop.

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Woo chunk.

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She lets go of the foot.

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Treadle dropping a harness and

pressing the other to work the pattern.

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Whoosh.

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She throws the shuttle.

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Thunk.

54

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Thunk.

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She brings the beater bar forward

twice to tap the threads in place.

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ink patterns similar to fremont's.

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Cover one forearm, and

I realize where I am.

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You're tethered.

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This is a spike.

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There's a scornful laugh.

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What was your first clue?

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I move around the loom until

I see the woman's face.

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Then gasp where her eyes should

be are two gouged out sockets.

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Red scars radiate down her

cheek on one side and across

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her forehead on the other.

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I'm afraid I may wrench at the site.

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I hold on to the sturdy frame

of the loom for support.

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The woman knows exactly what I've seen.

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He could have killed me, she

says, but he wanted me to suffer.

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He I question Reagan Thorn.

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The woman's voice is matter of

fact, but I notice her hands falter.

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Now.

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I have to weave all day, every day just

for enough food to keep me alive and

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if I'm an inch short, I get nothing.

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I notice the weaving for

the first time and blink.

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There's only one person that

works that particular pattern.

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My mouth drops open as my eyes run from

the woman's hands up her arms to her face.

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Vita, I ask leaning on

the wall for support.

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Her hands stop and her head jerks up.

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Who's there?

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Brie, I say just above a whisper.

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Oh, Her hands go to her mouth.

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I hurry around the loom and throw

my arms around her shaking form.

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In less than one moon, she has changed

from a plump, rosy faced woman to

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someone I almost didn't recognize.

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tears flood my eyes.

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We hug, and Vita gives me a soft kiss

on the cheek before pushing me away.

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I have to keep working, she

says, with a tremor in her voice.

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Her hands shake as she starts.

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wunk.

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Zeus thunk thunk.

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I sit on the bench beside her, fighting

to regain my composure as she has done.

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Tell me everything Vita

says, how did you find me?

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Where's Nona?

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I tell the story from

the beginning to end.

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Vita listens without emotion

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as I explain escaping the crowd outside

the Ram wat and crashing through her door.

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I absently squeeze the bag of

capsicum still hanging at my waist.

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My voice falters.

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What's this?

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Swiftly?

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I unie the bag

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Sifting through the last of the powder,

I find several lumps and draw them out.

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Vita.

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I breathe in amazement.

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The jewels are here in my bag of capsicum.

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truly, she says, sounding as

astonished as I feel with a

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quiver, she reaches towards me.

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I take her hand and one at a time.

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I place the stones in her palm.

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Each time I brace myself

for the stones release.

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I don't understand why.

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Didn't jackal take them?

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It doesn't make sense.

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Vita's voice sounds

confident when she speaks.

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Nona always said the stones have a

way of being where they're supposed

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to be, But why would they come to me?

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I say with a snort, I

can barely feel them.

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You just take them for granted.

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Vita answers softly.

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Nona never had them all, but

she knew their basic essence

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and taught them to you.

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They've surrounded you your whole life.

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I'm about to protest when I'm filled with

memories of Nona, my Nona, who I didn't

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appreciate until she was taken from me.

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Slowly realization Dawns So I feel

the jewels like a ripping at my

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soul because I don't recognize

what I've got until it's gone.

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Is that right?

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I think so.

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Vita says throwing her shuttle

again, but that doesn't explain

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why Jackal left them with me.

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I say before, realizing

the answer doesn't matter.

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She gained my confidence,

then locked me in a crypt.

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I'll never trust her again.

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She's too much like her father.

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and look what he did to Vita Pained.

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I put a hand on her shoulder.

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How did it happen?

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I whisper.

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Vida, throws several shots with

her shuttle before explaining.

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Big Zach and I were

getting ready to leave.

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When I saw the dragons coming.

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I ran for the woods, but they caught me.

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She pauses and.

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Reagan Thorn found the

emerald in my belongings.

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He beat me demanding.

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I give him more.

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He wouldn't believe that I only had one.

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You had the emerald.

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I ask, but it all makes sense.

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As I recall Nona's Parchment saying

the emerald was in the Norwood.

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Vita nods.

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Nona thought it would be best if

the jewels traveled separately to

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Ultan, but where did you get it?

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Lady Fallon gave me the

emerald the night she died.

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Nona was given the ruby and the sapphire.

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We didn't know what they were

until Nona figured it out.

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Much later, Nona was there.

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I squeak Is Nona Nna?

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My hand goes to my forehead.

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Of course she is.

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That explains the similarity

in their names and why.

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Nona was the only woman in the

Norwood that grew capsicum.

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But I look at Vida.

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How were you there?

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I was Lady Fallon's maid.

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I gasp at this revelation.

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Then get angry.

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Why did Nona bother telling me

the story if it wasn't the truth?

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Vita si.

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Nona's stories teach many things.

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Only you can say what they mean

to you, but I have no idea.

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And don't be stubborn.

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Brie.

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Think on it.

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Your answer will come.

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her explanation is so much like something

Nona would say that tears spring

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to my eyes even as my jaw clinches

in frustration, and there's more.

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Nona told me, lady Fallon asked her maid,

who I now know was Vita to raise her baby.

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Clearly that's not true.

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The baby must have died

just as Jackal said.

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Once again, Nona didn't tell me the truth.

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Who else was in the castle?

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I demand Vita takes a breath.

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The Queen's niece, Dogmar, the girl

you call Jackal and her nurse Zipporah.

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There's a pause.

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of course Gray was there though.

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He was just a baby.

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And Big Zach as well.

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Vita's voice waivers as she

says her husband's name.

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Oh, my mind reels at this news.

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I'm not surprised about

Jackal and Zipporah, but I

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hadn't considered gray and.

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My chest tightens.

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I don't want to ask, but I need to know

And what happened to big Zach Vita's hands

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falter, but she doesn't stop weaving.

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Reagan thorn cut him down

before my eyes then rolled him

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off the cliff into the sea.

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I place my hand on her back

as she throws the shuttle.

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tears trickle down my

face at this new horror.

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Oh, Vida.

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How have you survived Vida Straightens

the emerald gives me strength.

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The emerald I blink.

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But you don't have it anymore.

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I don't need the stone to use its wisdom.

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I recall Nona explaining that since

Reagan Thorn had the ruby, her memory

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of the stone would have to do, but

I don't understand if you can have

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the essence without the jewels.

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Why did Nona think it was so

important that we gather them?

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Vita lets out a breath.

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The message of the stones can be passed

down from person to person, but over

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time the message becomes distorted.

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The true essence is lost.

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It's important to have the physical

stones to keep the message pure.

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I recall Nona explaining

this to me before.

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That's why the order wants

to keep them locked up.

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I mumble if they hide the

stones away soon, no one will

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remember their exact truth.

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The path to the whisper will be lost.

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Vita's.

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Hands stop.

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The what?

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The his.

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I call it the whisper.

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It makes more sense.

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not that I've ever

received any promptings.

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I say with a tinge of resentment.

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The whisper doesn't speak to me.

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Come now, Brie.

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You don't think you made it through

the cataracts without any help, do you?

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And how did you find me?

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You just accidentally bumped into

my door of all the doors in Ultan.

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The Hesperian does speak to you.

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You just need to recognize when.

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Vita's words are said

softly, but hit me hard.

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I've come to feel the jewels,

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I say,

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ghia: but the only time I thought I've

heard the whisper, I nearly drowned.

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Maybe you've been

expecting the wrong thing.

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Try now.

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Sit with your eyes closed and

tell me what comes to mind.

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I can't try and just to prove her wrong.

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I close my eyes.

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It's time to go.

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The words come from nowhere.

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It isn't a voice, but an impression.

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I feel it again.

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It's time to go.

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I open my eyes and look at Vita.

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She must sense my hesitation.

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What is it she asks?

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I'm not sure.

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I'm calm, peaceful even.

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but there's no denying the urgency.

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I've never felt anything

like it before or have I?

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What about my desire to let the

boat float through the cataract?

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My instinct to leave the

capsicum finding Vida.

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Sometimes I listened, sometimes I didn't.

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But they were all the same

feeling, weren't they?

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I closed my eyes again.

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It's time to go.

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I can't deny the feeling

jumping to my feet.

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I hurriedly wrap the stones in Nona shawl.

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Get up.

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We have to go.

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When Vita doesn't move, I grab her arm

and begin to pull her off the bench.

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She gives a soft cry of pain.

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The tether.

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What I'm tethered, I drop to the

floor and find a heavy chain that

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runs from the sturdy frame of the loom

to a steel band around Vita's ankle.

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Her skin has been rubbed so

raw that I wince at the site.

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I want to scream and frustration.

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Why?

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Help me find Vida then make me leave her.

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I ask.

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Holding my hands in the air,

willing, the whisper to hear me.

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There isn't an answer.

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I bite my knuckle and try to think.

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I'll just have to return with help.

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I kiss Vita on the cheek,

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Be ready.

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I'll come back.

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I whisper in her ear.

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Vita grabs my hand as I'm moving away.

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You look like her.

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You know, just like your mother.

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I bolt out the door before it dawns on me.

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Vita knew my mother.

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I look back, but there isn't time to ask.

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I don't know why, but

it's urgent that I go now.

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chapter 44, jackal.

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The shock of discovering my father in

the library wears off and I quietly

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slide the keys back on the hook.

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Father, I say, why are

you sitting in the dark?

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I pull open one of the heavy curtains,

letting light through the grated window.

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My father is leaning back in

a chair, his feet on a stool.

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He ignores my question.

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I assume if you're here,

you have the jewels.

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I stand tall.

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No, father.

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I don't.

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And then you brought me the girl.

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I shift uneasily.

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No, she got away.

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Reagan thorn laughs.

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You've grown fond of her.

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My pet, I don't care for her one wit, you

can let the marabou have her if you want.

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And my father looks as if

he's pondering the idea.

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I just might do that.

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I step towards his chair and lean down.

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You disgust me.

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my father snes and plays with

the rings on his fingers.

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bring me the girl, and I

will forgive that remark.

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I don't have her.

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My father gets to his feet and

pulls the curtains all the way open.

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After looking out over the city,

he smiles, which isn't good.

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and how did you get here?

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Let me guess With the banjara, I

realize that from here he can see the

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dock where the banjara are camped.

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My heart thumps, I think of marette

and weathers the rest of the skull.

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Please don't let him

torture them for answers.

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I couldn't bear it.

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Curses.

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I've grown so soft, desperately.

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I try to hide my concern and what

difference does it make how I got here.

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with long strides.

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My father walks to the

door and pulls it open.

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Guards, he calls a dragon.

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Steps before him, have the banjara,

camped outside the city wall,

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rounded up and brought here.

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The dragon nods and leaves the room.

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My father turns to me.

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The girl better be there or

I'll give you to the mabu.

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You wouldn't dare.

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You need me not, not if

I don't get those jewels.

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Now get out of my sight.

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I want to run from the library, but

make myself walk As soon as I close

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the door, I sprint down a set of spiral

stairs to my bed chamber, ripping

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off the digger's, skirt, and tunic.

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I slip into a comfortable set

of black leathers and boots.

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Then I tuck in my knives.

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After throwing open the

window, I leap to a tree there.

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I hang for a moment before

dropping to the ground in a crouch.

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Without pausing, I race to the

stable and jump on the first

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saddled horse I see lying low.

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I kick my heels into the animal side.

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terrified, stable.

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Hands scramble out of my way as the

horse charges through the doors, I

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know I can move faster than a squad of

dragons, but they have a head start.

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I clench my jaw.

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I must get to the banjara fast.

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I take the first gate out of the

city, the squad will go through

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Ultan to make a show of force.

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My way will be faster,

giving me the advantage.

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Diggers on the road scatter as I pass

kicking the horse to greater speed.

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I race across the meadow to the

bridge that crosses the uare.

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There I find the Banjara camp.

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The squad has not yet arrived.

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run.

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I yell as I pull up.

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Dragons are coming to arrest you.

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The taru doesn't question my

words, but springs to action.

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Where's z?

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Corvex.

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Marette calls panic flares

as I whirl my horse.

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What do you mean?

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She went to Z City?

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Brie in Ultan Curse the boy.

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I told him to take her to the Norwood.

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A trumpet sounds.

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The squad of dragons is close.

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Where was she going?

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I yell at marette to the market.

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She answers.

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I turn and ride with my head held high

directly towards the dragons when

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their squad leader is within earshot.

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I speak in my most commanding voice.

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The girl Reagan Thorn

wants is in the city.

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Come with me.

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The leader looks confused.

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We have orders to round up the banjara

and now you have orders to follow me.

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The man hesitates then nods.

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Bri.

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I hate leaving Vida.

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But for the first time in my life, I've

recognized a prompting from the Whisper.

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For whatever reason, it's

time to leave and leave.

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Now I hurry to the end of the alley and

take a moment to memorize my surroundings.

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I've got to be able to find this

place later After getting my bearings

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from the top of the Ram Wat, which

I can see above the rooftops,

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I head towards the city gate.

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The only thing I can think to do is

enlist the banjara to help me free Vita.

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I'm crossing a main street.

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When I see a squad of dragons

on horseback, there's a shout.

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I duck into a deep doorway.

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Rats.

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The latch is locked.

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All I can do is stand here and listen to

the sound of hoofbeats getting closer.

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They stop.

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I hold my breath.

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It's fine.

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They aren't looking for a banjara teller.

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Just wait.

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They'll pass on.

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When I think it's been long

enough, I peak from the threshold.

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There's an instant shout and a

black warhorse races towards me.

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It's jackal.

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Her hair has come loose from its

braid and streams behind her.

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Her eyes are fierce and

her mouth is in a snarl.

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I don't know why she left me the

jewels, but right now I know one thing.

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She's after me.

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hopping up on a wooden

cart, left in the alley.

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I lunged for a window seal using

clotheslines like tree limbs.

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I climbed to the roof.

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Brie, I hear jackal yell, wait.

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Is she kidding?

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I don't look back.

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Spread out.

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She snarls to the dragons.

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Don't let her get away.

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I race along the tiled roof

to one end of the building.

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there I leap clearing the narrow alley

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Spears of pain.

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Shoot up my leg as I land.

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Relieved that I made the jump.

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I run again, hopeful that

I'll make it to the city wall.

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There's a noise behind

me and I glance back.

427

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A sleek form easily jumps over the last

alley causing a flock of birds to scatter.

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I take two more jumps before

coming to an alley that is

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much wider than the one before.

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With no choice, I back up and

run, hurling myself over the void.

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My fingers reach for

the tiles, but miss no.

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The first close line catches my foot.

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I yowl in pain the second close

line, catches me in the back.

434

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When the line breaks, I

crash To the cobbles below.

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Jackal Brie.

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No.

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I shout when I see her

preparing to jump again.

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I'm trying to help you, but she's gone.

439

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I yell wildly for the dragons as

I run to the edge and look down.

440

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Her body lies on the

cobbles, tangled in laundry.

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:

She isn't moving.

442

:

Two dragons advance down the alley.

443

:

Don't touch her.

444

:

I order.

445

:

It takes me a minute to

find my way off the roof.

446

:

When I get to Brie, the dragons are

standing over her body, get a stretcher.

447

:

You iles.

448

:

I place my ear to her chest.

449

:

When I hear a heartbeat,

I'm flooded with relief.

450

:

I pick her up amazed at how small

she feels and cradle her in my arms.

451

:

I'm sorry, I whisper.

452

:

I tried to keep you away.

453

:

It takes a while for

the dragons to return.

454

:

When they do, they have too long

poles with a blanket between them.

455

:

I've got to get Bri out of Ultan gently.

456

:

I place her on the stretcher With a

dragon on each end holding the poles.

457

:

I lead them towards the city gate.

458

:

We're almost there when my father

on horseback appears in front of me.

459

:

A half dozen dragons are with him.

460

:

Oh, where are you going?

461

:

My pet.

462

:

I say, the only thing I can think of,

I'm escorting an injured prisoner.

463

:

What does it look like?

464

:

My father draws his boot knife

and hurls it at a flock of birds.

465

:

Startled.

466

:

They fly off, leaving one

behind the blade in its chest.

467

:

A dragon dismounts and removes the knife.

468

:

After wiping it on his pants,

he hands it back to my father.

469

:

It looks like you were leaving the city.

470

:

You asked me for the girl how and

when I deliver her is my business.

471

:

My father looks up and scratches his

head, gems flashing on his fingers.

472

:

When he looks back, his face is set.

473

:

Your time is up.

474

:

The girl is coming with me.

475

:

No, I stand firm glaring

at him, restrain her.

476

:

My father says I leap to the side avoiding

one dragon only to be caught by another.

477

:

I fight, but there's too many of them.

478

:

My father looks amused when it

takes three dragons to hold me.

479

:

Let me go.

480

:

I yell.

481

:

She's mine.

482

:

She's had a fall.

483

:

My father says his voice

dripping with syrup.

484

:

I'll have her seen by my croker.

485

:

no croker.

486

:

I yell.

487

:

Desperate not to have brie drugged.

488

:

I struggle against the dragons, but they

hold me tight, throw her over a horse.

489

:

My father commands.

490

:

I watch as Brie is removed from

the stretcher and tossed like a

491

:

sack of grain across a saddle.

492

:

My father turns and rides

away without looking back.

493

:

When he is out of sight,

the dragons let me go.

494

:

I'm seething with anger at the

dragons, at my father, at myself.

495

:

This never should have happened.

496

:

Ever.

497

:

Hold me like that again

and I'll slit your throats.

498

:

I snarl before striding away.

499

:

Chapter 45.

500

:

Bri.

501

:

Every time I open my

eyes, the world spins.

502

:

Afraid, all wre.

503

:

I keep them closed.

504

:

Eventually I work out that I'm

hanging over the back of a horse.

505

:

I struggle at my bonds, but

I'm tied securely so much for

506

:

being able to hear the whisper.

507

:

I'm a fool.

508

:

The whisper doesn't speak to me.

509

:

Eventually the horse stops and I'm

hauled off with my head pounding.

510

:

I crumpled to the ground.

511

:

Rough hands grabbed me, and I'm

flung over a massive shoulder.

512

:

We descend a set of steep twisting

stairs, and I feel as if I'm

513

:

submerging into a viper's pit.

514

:

If I struggle, the arms

holding me clamp down harder.

515

:

I quit moving.

516

:

torches, glow on the walls, Black

smoke drifts along the ceiling.

517

:

In the air is the stench of mold and rot.

518

:

I thought nothing could smell

worse than the streets of ultan.

519

:

I was wrong.

520

:

The dragon holding me stops open a cell.

521

:

His low voice rumbles.

522

:

Wait, someone says,

don't be in such a hurry.

523

:

Let's see what she's got.

524

:

My head is yanked up a thick set

man with a bulbous nose, spies the

525

:

banjara jewelry, and licks his lips.

526

:

My head drops and my cloak is yanked off.

527

:

none too gently.

528

:

The necklaces are removed.

529

:

I try to protest, but the

force of the dragon's grip is

530

:

sufficient to keep me quiet.

531

:

Next, the Bengals are pulled

from my wrists and the rings

532

:

are removed from my fingers.

533

:

the man slips, mart's

staff from my shoulder.

534

:

I hear it snap open, followed

by a round of cursing.

535

:

Clearly he can't figure

out how to close it.

536

:

the staff is thrown aside and I'm

searched until the limp bag of

537

:

capsicum is yanked from my belt.

538

:

The little herb knife goes with it.

539

:

Finally, the man seems satisfied.

540

:

I sag with relief known

as shawl has been ignored.

541

:

Bring her this way.

542

:

The man says, boy fetch a lantern.

543

:

I'm moving again.

544

:

The sound of boots echoes

along the stone corridor.

545

:

There is the clink of keys

and the squeal of hinges.

546

:

I'm carried into a small room and dumped

on the floor in a pile of dank straw.

547

:

I groan with the impact

and roll to my side.

548

:

Then I see him, it's just for

a moment, he holds a lantern.

549

:

His face is gaunt.

550

:

His beard's scraggly.

551

:

But those eyes, The dragon

swings the door closed, and

552

:

I'm enveloped in a murky gloom.

553

:

Footsteps recede down the hall.

554

:

I lie on the floor.

555

:

Unmoving.

556

:

Did I see right?

557

:

Was it truly gray?

558

:

Don't be ridiculous.

559

:

It had to be my imagination.

560

:

After a short time, I

hear footsteps again.

561

:

As the sound gets closer, I scurry

to the far side of the cell and

562

:

wrap my arms around my knees.

563

:

There's a scraping noise as a

panel in the bottom of the door.

564

:

Slides open.

565

:

I've brought food.

566

:

I rush to the door gray

with my face to the floor.

567

:

I peer at the hands pushing a

bowl of mush through the opening.

568

:

The fingers are grimy, but

they're the right size and shape.

569

:

Are you all right?

570

:

The voice whispers gray.

571

:

Is that really you?

572

:

Tears rushed to my eyes.

573

:

Yes.

574

:

I don't have much time.

575

:

The mush is horrible, but eat it all.

576

:

You'll need your strength.

577

:

Here's some water gray slides,

a flask through the hole.

578

:

I gasp at the fresh ink on his forearm.

579

:

What is it?

580

:

Gray asks worry in his voice.

581

:

You're inked.

582

:

yes.

583

:

He says with scorn It marks me as

tethered to this hell hole gray.

584

:

I'm sorry.

585

:

It was all my fault.

586

:

Forget it.

587

:

I'm working on a way to get us out.

588

:

there's a slight pause.

589

:

Brie, do you know how

Fremont escaped his tether?

590

:

I think for a moment I only recall that

he crawled through some kind of tunnel.

591

:

I say have to go.

592

:

The panel slides abruptly shut.

593

:

Someone must be coming.

594

:

I listen, but nothing tells me what's

happening on the other side of the door.

595

:

the mush is pasty and

smells of horse milk.

596

:

Still, I eat it all with food in

my belly, my head somewhat, but

597

:

that only increases the pain.

598

:

My back aches from landing on

the cobbled street and my foot.

599

:

Oh, why did I have to catch

it on the clothes line?

600

:

It was doing so much better

before the tears can come.

601

:

I think of Vita Brave, resilient Vita.

602

:

I determine to be as stalwart as she is.

603

:

With my back to the stone wall.

604

:

I close my eyes, but

don't sleep as endless.

605

:

Questions circle in my mind.

606

:

why did jackal leave me the jewels?

607

:

doesn't she want the throne?

608

:

How did Vita know my mother,

did she know my father as well?

609

:

When a, when will gray return?

610

:

I picture gray's hands.

611

:

What was the pattern?

612

:

Inked on his wrist a bat

or maybe a human skull?

613

:

I can't be sure.

614

:

Both seem fitting for a person

tethered in the dungeon.

615

:

This idea starts me thinking Fremont

had ink that looked like a spider's web.

616

:

If Gray can find others with that mark,

he might be able to figure out where

617

:

Fremont was working when he escaped.

618

:

That would help, wouldn't it?

619

:

I resolve to tell Gray when he returns.

620

:

If he returns, hours seem like

days, and I lose all perception of

621

:

time, I must fall asleep because I'm

startled by the cell door opening.

622

:

Get up a dragon says I stagger

to my feet and stumble forward.

623

:

The dragon hfs me under his

arm and carries me down the hall.

624

:

I squirm, but the arm

squeezes crushing my chest.

625

:

I give in and hang helpless.

626

:

I am carried through a dingy room with

a hearth and a few chairs in the corner.

627

:

I see the sagging bag of

capsicum and my staff.

628

:

I squirm once again, but it

does no good Instead of leaving

629

:

the dungeon the way I came, I'm

carried up a wide spiral staircase.

630

:

The smell dies away and is

replaced by heavy incense.

631

:

It gets warmer soon.

632

:

There are tapestries and fine carpets.

633

:

We must be in the heart of the castle.

634

:

The dragon carries me through a

doorway without warning, I'm dropped

635

:

again this time on a soft cushion.

636

:

The dragon steps back and I hear

637

:

a voice

638

:

Pinch with the tip of your fingers,

then throw with your arm pointing

639

:

in the direction you want it to go.

640

:

ghia: Says a gravelly female voice.

641

:

I look up to see the telltale

black robes of a croker.

642

:

She and Reagan thorn are

standing before a wooden board

643

:

starlike discs in their hands.

644

:

Reagan thorn throws and the

disc sticks in the wood.

645

:

Better

646

:

ghia: The Croker says

as she turns towards me.

647

:

blue agate eyes gaze out of a heavily

inked face and bore into mine.

648

:

The woman is a she wolf.

649

:

Without a doubt, I look away.

650

:

Unable to hold her gaze.

651

:

I can't help recalling that.

652

:

Jackal said Reagan thorns.

653

:

Kroger was an old man

renowned for his artistry.

654

:

This must be someone new.

655

:

My eyes drift back to Reagan Thorn.

656

:

He moves to a chair inlaid

with jewels and sits straggly.

657

:

Black hair, covers half his face.

658

:

He looks thinner and palor than

the last time we met, but his

659

:

eyes haven't lost their ferocity.

660

:

He's still the goblin shark,

as if getting comfortable.

661

:

He sticks out his legs,

crossing them at the ankles.

662

:

The jewels on the tips of his

slippers flash in the candlelight.

663

:

Tsk, tsk.

664

:

Aren't you a mess?

665

:

He holds a handkerchief to his nose

and you smell like the carcass pile.

666

:

He motions towards the

dragon who brought me in.

667

:

Take her outside.

668

:

I'm wrenched off the cushion

and push through the door.

669

:

That leads to a terrace.

670

:

there.

671

:

I stumble across polished stones

to lean against a railing.

672

:

the tang of sea air fills my nose, and

I realized that from here I could drop

673

:

a pebble into the frothing waves below.

674

:

Over my other shoulder, I see the

hole of ultan spread out before me.

675

:

two towers of the castle loom overhead

676

:

With the sun sinking into the sea,

the air has cooled, and I shiver A

677

:

servant with a red scar across her

face brings Reagan thorn a chair.

678

:

He sits and gives the hair on

the tip of his chin a twist.

679

:

As he surveys me, the

roker stands beside him.

680

:

A moment later, a table with a bowl of

apples and a platter of aromatic cheese

681

:

are brought to Reagan Thorn's other side.

682

:

You are dismissed.

683

:

He says to the servant, the woman

bows and leaves the terrace.

684

:

Reagan thorn's attention comes

back to me with a flourish.

685

:

He removes a velvet pouch

from his coat pocket.

686

:

Pinky finger extended.

687

:

He opens the pouch and produces the ruby.

688

:

And what I am sure is vita's emerald.

689

:

I watch as he places them on the table.

690

:

Where are the rest of my jewels?

691

:

He asks, I want to object his jewels.

692

:

They belong to the queen, but

pointing this out will get me nowhere.

693

:

So I say nothing and

keep my eyes downcast.

694

:

Suddenly my head is yanked back by

the heavy hand of a dragon and

695

:

I'm forced to look at Reagan.

696

:

Thorn.

697

:

My stomach grumbles loud

enough for him to hear.

698

:

unwittingly, my eyes drift

towards the fruit and cheese.

699

:

Reagan thorn picks up an apple

and tosses it lightly in the air.

700

:

Let's make a deal.

701

:

He motions the dragon to bring me closer.

702

:

I smell his rotting breath.

703

:

You give me the jewels and I will

give you all the food you can eat.

704

:

he makes a pious face as if

begging me to save myself.

705

:

My anger flares and a low

growl rises in my throat.

706

:

If it weren't for this man,

I'd be at home with Nona.

707

:

Everyone I love would be alive.

708

:

My woods would be safe

Without any thought.

709

:

For the cost.

710

:

I spit in Reagan thorn's

face with a vicious blow.

711

:

He backhands me across my cheek.

712

:

The pain is searing.

713

:

my knees buckle.

714

:

I think I'll fall, but

there's a yank on my head.

715

:

The dragon has me by the hair.

716

:

I gasp for breath

717

:

as if he's done.

718

:

No more than Swat Reagan thorn

slumps back in his chair, his face,

719

:

indifferent Search her, he says, with

a flip of his wrist in my direction.

720

:

I draw a cold breath as a blade is placed

at the back of my neck without warning.

721

:

The dragon slices straight down through

my tunic and the waistband of my skirt.

722

:

With the other hand, he yanks

the fabric off my shoulder.

723

:

I'm grasping for my

clothes when I hear it.

724

:

The tinkle of stone on stone,

Nona shawl has been cut into.

725

:

The jewels are rolling away.

Show artwork for Creative Spiritual Journey

About the Podcast

Creative Spiritual Journey
one small, deliberate step at a time
We are all on a journey—a journey home to our heavenly parents. Any experienced traveler knows there are days you laugh and days you cry.

We aren’t here to tell you how to live—we are here to share how we live—how we survive, thrive, and even find joy!

The journey gets messy with rainstorms and sleepless flights but the hard times—the miserable times—those make the best stories.

And the vistas, the sunsets, the little birds outside the window—those are the reminders that God is in the details, he is aware of us, he has trod the path before.

The Creative Spiritual Journey Podcast is hosted by Judy and Ghia Cooley—two sisters in their wisdom years—who love the savior and are dedicated to making this journey one small, deliberate step at a time.

Join us!

About your host

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Ghia Cooley